This is an alternative space from my website. I plan to share behind the scene images of a working sign shop, detailed stages of production, techniques & processes, how things work, or how I've made them work for me anyway. I design and build signs, it's commercial art, each is an art project. I strive to keep them unique and different. This keeps it interesting and challenging for me and gives the client a unique project. Hopefully you find this interesting and perhaps educational. There may be wonderful mishaps, paint spills, or some whacked effects gone awry. Stuff happens, art happens, I occasionally step back and just smile (and grab a camera). Often the garbage generated is art in itself. I have archives of photos and will randomly choose some to share. They may, or may not be current work. Enjoy. - Brad
Saturday, November 19, 2011
Olufson Designs / fabrication & install
Wednesday, November 9, 2011
Jeff Hamann's Mt. Bike
Jeff Hamann has a business called Forest Informatics. He writes brilliant code using algorithms that calculate timber yields given sets of variables. His website is on the rear triangle lower stay opposite the chain. I would think that might make this a tax write-off.
The right side top tube has a pinstripe, turning into saplings, then into medium sized trees, mature trees, stumps, then a skidder dragging away a couple trees, turning back into a pinstripe.
The rear triangle part of the frame had cracked. The replacement came in a different color and maybe even needed a small modification. Jeff made a decision to strip the entire bike and have it powder coated. After my artwork, he wanted a clear coat on top, covering the whole frame.
We brainstormed these silly concepts with silly cartoon characters. I started hand painting the artwork with a very small lettering quill trimmed down even smaller. I honestly struggled with the smallness. Lettering enamel is wonderful in that you can wipe it off and start over so easily. I borrowed a pair of jewelers magnifying lenses (that you wear like a visor) from my competitor (more like compadre) Sid Beam. They helped immensely.
We had to work out a few things before starting this project. 1) Was the high temperature of the powder coating oven going to screw with the tempering, or the quality of the aluminum frame. 2) Was the second trip to the oven for the clear powder coat going to burn, discolor, crack, wrinkle or reduce the quality of the lettering enamel in any of a bunch of possible ways. The 1st was answered with a phone call. The 2nd; no idea where to go for this information, we just winged it and had perfect success. Enamel paint, sandwiched between powder coats, baked at 400 degrees. You've seen it here.
The opposite side has a pinstripe, turning into progressively larger trees, to stumps, to a loader and truck, back to a pinstripe.
Saturday, November 5, 2011
Adams Art Fundraiser
These 2 stars were done for an auction to raise money for art supplies for the art program at Adams Grade School. Both of my kids went to Adams. A long time & close friend, Donna Jepsen-Minyard, teaches art there. She invited friends within the local art community to create an art piece from plywood stars that she handed out. A fabulous party culminated at Iovino's Ristorante where lots of the bidding took place.
Donna used to work the craft fairs in the western states selling her fine art serigraphs. Since we both screen print, we would often loan equipment and bail each other out with supplies at the last minute. She is also a fabulous calligrapher. We took 2 years of brush calligraphy classes together. I had her do the pointed brush lettering for Grass Roots Bookstore. New Morning Bakery is also her hand brush work.
I took on 2 of these stars and based each theme on love. This one is called 'the 9 Elements of Love'.
From the Bible: love is patient, is kind, does not envy, not boast, not proud, not rude, not self seeking, not easily angered, keeps no records of wrong.
This one: 'All You Need Is Love', has the lyrics to John Lennon's song wrapped around the perimeter.
I took a square on (perpendicular) photo of each star, imported, vectorized and scaled to size on the computer. This gave me a near perfect perimeter path of each star to design with. The designs for these were just pure fun play for me. Each side is a negative of sort of the other. There are 2 screen printed layers on each side, done with gloss enamel ink. Under these prints is a beautiful orange translucent water-based aniline dye on the birch ply, sealed with a couple coats of oil based clear.
There was a sheen difference between the ink and the background clear, so I gave it a top coat of clear for a unified gloss. I kind of rushed this step and should have waited an extra day. The ink started to wrinkle. Oops. Game over. In the can is a cheap brush and old used thinner that I brushed on the surface to soak the coatings for removal. Now the whole layer of clear under the ink has wrinkled.
Yummy; pull out the rubber gloves. It was actually a painless and efficient cleanup. All the goo slipped right off. I backtracked and started over with the base coat of clear, and with a bit more patience. finished with success the next time around.
Thursday, November 3, 2011
Downtown Dental
This sign is similar to the Mod Pod sign in that the acrylic letters push through the sign face and are illuminated with strips of LED's.
The pop rivets are perfectly spaced and on a perfect arc. My design software has tools to achieve that. All the stainless and green parts were cut out on a cnc laser. I work with Ted Gerhart at Mid Valley Metals in Springfield. I email him the fab files and he ships back to me with a courier that does laps between Florence, Eugene, Corvallis and Newport. The laser just located and pierced the pilot holes for the pop rivets. We still had to drill the holes.
Darren, who shears and brakes at Middleton Heating and Sheet Metal bent the parts where needed. He then used an old school hand cranked crimper to corrugate the inside edges of the sign face. Easier said than done. This put a nice curve into it. Some practice helped us to guess a crude radius setting. Not quite perfect and over crimped in areas, we hammered like hell on the corrugations with big hammers on Tim's steel work table, to get it to open back up.
Tim Foley mitered and welded the aluminum 2" x 2" angle frame. The one odd bracket at the center supports a curved stainless panel that the LED's mount to. This interior panel follows the curve of the front face, but with a shorter radius. There's 2 windows for service panels in the back (left), in case LED's or a power supply ever need to be replaced. The big window at the front (right) gets covered with the green panel. All the stainless is held together and held to the aluminum frame with pop rivets.
Tim is drilling holes for the rivets. With each hole we temporarily place a cleco. They are a spring loaded gizmo with thin retractable fingers which go in the holes. A special plier is used to insert the cleco, then it springs back pinning and tightening the 2 pieces of sheet metal together. Later, we come back and remove the clecos, insert and pop the rivets one by one. Tim helped with most of the assembly of this cabinet.
Pretty much complete, I temporarily powered it up in the shop. It's super bright. My shop gets really dark, whereas downtown always has lots of ambient light. The LED's come from superbrightleds.com.
Looking through the backside service panel.
I stuck my arm under and up inside to take this blind shot. The 2 strips of LED's are flexible, waterproof, and adhered with aggressive double stick tape. The white acrylic letters are cut out on HyTek's cnc router.
The green panel is the same stainless steel, but has been powder-coated. I wanted these rivets to disappear. I custom made these mini paint stencils for a perfect fit. The corner bent over tab makes for easy removal.
1-Shot Lettering Enamel is custom mixed to match. The Q-tip is disposable; I didn't want to clean a brush.
To powder coat the green parts, these nuts were tacked on the back of most of the smaller parts to connect a wire to for conductivity. The particles of powder are charged with a negative charge from the applicator machine. The parts have to hang by a wire from a steel hanging rod attached to an industrial rolling cart. The cart is grounded with a neutral ground causing the electrostatic 'cling'. The whole cart then gets rolled into a massive oven and baked. Tim Luke kicks ass with a welding torch. He also builds & welds dune buggies; and has a new business for building frames & gear for white water rafts called RecreTec. His powder coat business is Willamette Powder Fab.
The smaller 'blade' sign is 1' x 4'. It's made of 1" aluminum tubes and powder coated to exactly match the overhead marquee. The stainless face is attached with only VHB tape and adhesive goo.
The green 1/8" mild steel logo panel is attached the same way to the stainless. A removable vinyl pattern is used to align the letters. They're attached with silicone.
A secondary part of the Downtown Dental logo was this diagonal design, tiled together to make a nice wallpaper pattern. I broke out this solo segment of the pattern and designed it into the awning to carry the theme throughout the width of the storefront. The green parts above are 1/8" mild steel attached to squares of stainless with 3M's VHB double stick tape. VHB stands for Very High Bond. The stainless squares are attached to the marquee with VHB. I found the thin milky white plastic at a craft store and was able to score it on my vinyl cutter. The missing pieces broke right out with a little wiggling. It was used repeatedly to register the green bits.


































































